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Toronto
designers Robin Woodward and Ange Beever have created an exciting
line of pop accessories for modern life and those who live it with
humour and flair. Barbie’s Basement Jewellery celebrates individual
identity and popular culture in a handmade, accessible, wearable
form.
The threat of a layoff
from the full-time switchboard job Robin held for several years
prompted a friend to ask the question, "what would you do if
you could get paid for anything?" When the answer was "make
jewellery", Robin took action to make her hobby pay the bills.
She did a couple of small craft shows, selling beaded necklaces
etc., before hitting on the idea of rings with text and glitter
embedded in them. Another couple of small shows and a self-employment
course later, Barbie’s Basement Jewellery became a real company.
The name Barbie’s
Basement Jewellery is meant to signify the pop, girly side of Robin’s
personality and creativity, as well as hinting at slightly darker,
more grown-up themes that lie beneath the sparkly surface. The work
of pop artist Keith Haring has long been a source of inspiration,
along with cult movies (John Waters’ films in particular),
pinup art, The Simpsons, Madonna and Hello Kitty. Robin (aka President
Glitterwhore) pushed her GlitterPop text
idea further by developing a layering process that makes tiny images
the focal point of the jewellery. These Image Collections have become
the spine of BBJ, and have opened a treasure of design possibilities
and new challenges.
A misfortune just before
the holidays of 2000 changed the course of BBJ. While Robin was
preparing for her first One Of A Kind show, her best friend (and
future wife) Ange was working late one night installing decorations
in a mall and suffered a serious fall. During her long recovery
from ankle surgery, Ange decided that she preferred working on little
accessories to big things that hang high in malls. Always supportive
of Robin’s efforts in business, Ange became an integrated
part of the company as production manager (or VP Gluesniffer)
in 2001. Ange’s background in display and visual art (BFA,
York ‘96) has been a valuable addition to Robin’s self-taught
design skills, and together they’ve grown BBJ from a D.I.Y.
home-based startup to a thriving wholesale line with its own production
and design studio in Toronto’s funky South Riverdale. Thousands
of playful-to-provocative BBJ rings, cufflinks, magnets, belt buckles
and more have been created in under five years.
Barbie’s Basement
Jewellery products are sold in independent stores across Canada,
and at One Of A Kind Toronto shows.
Select stores in the USA, Hungary and Japan also carry BBJ’s
line.
When not working on BBJ,
Robin and Ange enjoy moonlighting occasionally as Toronto nightclub
performers. BEEVER & TRIXIE have hosted a monthly
Trailer Trash Bingo
night at The Bovine, and have made guest appearances at The Rivoli,
Lee's Palace, El Mocambo, The Gladstone Hotel, and Buddies In Bad
Times Theatre.
Robin & Ange have
been fans and friends of acclaimed Toronto Burlesque troupe The
Scandelles for a few years. “Trixie Easybake”
& "Beever" now regularly perform with the Scandelles,
recently joining the troupe in the production of Les Demimondes
at Buddies, where the pair created a 70's-era brothel lounge installation:
"Tricks n' Beavers Lounge".
And stepping from stage
to gallery, BEEVER & TRIXIE have participated
in several group art shows at Zsa Zsa, Paul Petro, Edward Day and
S.P.I.N. galleries, including Zsa Zsa’s media-celebrated The
Michael Jackson Project summer 2003 exhibition. Incorporating
the pop outlook and glass-&-glitter media of BBJ into larger
art pieces holds a great deal of appeal for this creative team;
look for more of their unique works in the future!
BBJ, its products and proprieters, are all
about a playful response to mass culture and subculture, labels,
identity and all that can be expressed on a tiny piece of paper
trapped under glass. |